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The second theme, in the dominant key (F major), is more rhythmic and angular, featuring dotted figures and syncopations that hint at Larsson’s Viennese training. The development section avoids overt dramatics; instead, Larsson fragments the themes, passes them through distant keys, and creates a dreamlike, unsettled atmosphere. The recapitulation brings back the themes in reverse order (second theme first, then first), a subtle homage to Beethoven’s late practice.
Public-domain check
Because the Saxophone Concerto, Op. 14 remains under copyright in most jurisdictions (Larsson died in 1986, so copyright persists until 70 years after death—i.e., 2056 in the EU and many other countries; in the US, works published 1929–1977 are protected for 95 years from publication, placing this concerto under protection until at least 2029), you cannot legally download a free PDF from public domain sources.
The definitive publisher for Larsson's Saxophone Concerto is Gehrmans Musikförlag , a Swedish publishing house. They offer legal digital sheet music purchases and physical score rentals through their online portal. larsson saxophone concerto pdf full
A playful and fast finale with complex rhythms that some describe as having a "cartoon theme" feel. Nordic Romanticism Neoclassicism
Raschèr was famous for developing the "altissimo register"—the extreme upper range of the saxophone beyond the standard F or F#. Larsson specifically tailored the concerto to exploit this capability. Consequently, the piece became notorious for its demands on the performer's embouchure and voicing, cementing its status as a standard audition and competition piece worldwide. Structural Breakdown of the Concerto Some authorized vendors partner with Gehrmans to sell
Have you performed the Larsson Concerto? Share your practice tips for the altissimo section in the comments below. If you found this guide helpful, share it with your saxophone studio.
If you are preparing to perform Larsson’s concerto, keep these essential interpretation tips in mind: The recapitulation brings back the themes in reverse
To understand the full scope of the concerto, listening to established performers is key:
The , by Swedish composer Lars-Erik Larsson (1908–1986), stands as a cornerstone of the classical saxophone repertoire. Composed in 1934, this work is not only a brilliant example of neoclassical style but also a technical milestone for the instrument, largely due to its collaboration with the legendary virtuoso Sigurd Raschèr.