: How to use Maya effectively to maintain a fast-paced production schedule without sacrificing quality.
Inside the AnimSquad Master Class with Disney’s Zach Parrish & Brent Homman: Next-Level Tips You Can’t Miss
For more information on current offerings or to view the original trailer, you can visit AnimSquad or their Vimeo channel .
While many schools offer individual great teachers, what puts the ranking so high is the contrast and synergy between these two instructors. : How to use Maya effectively to maintain
Homman pushes students to use "dynamics"—letting the physics engine (or manual follow-through) surprise them. He teaches that controlled chaos is the difference between an animated character and a robot reading a script.
Animating the tension between what a character says and what they actually feel.
: While it strengthens foundational skills, it is specifically designed to revamp the workflow of intermediate to advanced animators looking to transition into feature-quality work. : While it strengthens foundational skills, it is
, the "Super Fast" Head of Animation: Zach Parrish is a true Disney veteran, having spent over a decade at Walt Disney Animation Studios. He served as the Head of Animation on Big Hero 6 , the Oscar-winning film that introduced the world to Baymax. His filmography reads like a blockbuster list, including Wreck-It Ralph, Zootopia, Moana, Ralph Breaks the Internet , and Frozen II . Known for his incredible speed and clarity, Zach directed the moving short film Us Again and the Disney+ Short Circuit film Puddles before becoming an animation director at Netflix, where he worked on the epic The Sea Beast . In the industry, he is legendary for his ability to explain every step of his process with precision and infectious humor.
Known for his incredible speed and ability to articulate complex animation concepts, Parrish has served as a supervising animator on projects like Tangled , Wreck-It Ralph , Big Hero 6 , Zootopia , and Moana . He is adept at both high-octane action and deeply emotional, character-driven performances.
The course is built entirely around an . Instead of teaching theories in isolation, Parrish and Homman take a single, complex character shot and animate it from a completely blank canvas to a final polished portfolio piece. The Final Polish
Production recruiters at major animation studios review hundreds of showreels weekly. To stand out, a reel cannot just have clean mechanics; it needs .
Workflow is split into clean, logical industry phases: . Networking & Critiques
about what to include in a portfolio for top animation studios?
Moving from stepped keys to smooth curves (splining) is where many student shots fall apart. This section of the Lupin House Disney Masterclass Bundle focuses heavily on creating proper breakdowns. Homman and Parrish teach how to control arcs, secondary motion, and overlapping actions to avoid the "floaty" look common in amateur 3D animation. 4. The Final Polish