Particles work perfectly with After Effects cameras and lights.
It is a 3D particle system that enables you to create organic effects such as fire, smoke, water, snow, and explosions, as well as complex motion graphics elements. What makes Particular special is its deep integration with After Effects' native 3D camera and lighting systems, allowing particles to exist and move naturally within a 3D environment.
Ensure "Use Comp Camera Depth of Field" is turned on. This makes particles in the distance blur out, creating a realistic sense of scale. trapcode trapcode PARTICULAR 2.2 Plugin for After Effects
: Unlike standard After Effects particle effects, Particular 2.2 uses a true 3D engine, allowing particles to interact with AE cameras and lights. Full 64-bit Support
Why 2.2? For many professional animators, version 2.2 represents the "golden ratio" of stability, feature set, and system resource management. It arrived before the heavy shift toward GPU-accelerated particle trails and 3D object imports, but after the introduction of core features like the and Physics Engines . Particles work perfectly with After Effects cameras and
Particles exist in true 3D space, allowing After Effects cameras to fly through and around the particle clouds.
Specialized shapes for stylized or vintage motion graphics. Ensure "Use Comp Camera Depth of Field" is turned on
: Switches between Air mode and Bounce mode for movement. Step-by-Step Workflow: Creating a Cosmic Nebula Step 1: Base Setup Create a new composition (1920x1080, 24fps). Create a new black Solid layer named Particles . Apply the Trapcode Particular effect to the solid layer. Add a new 3D Camera to the composition. Step 2: Configure the Emitter
Trapcode Particular 2.2 is favored for both broadcast design and visual effects for film. Common use cases include:
If you want, I can: