I Videoteenage Fabienne Alias Decibelle 2 Mpg 🆓

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This paper examines the cryptic title “I videoteenage Fabienne alias Decibelle 2 mpg” as a conceptual entry point into contemporary teenage self-documentation. By deconstructing its components — the confessional “I”, the mediated “video” self, the constructed name “Fabienne/Decibelle”, and the technical suffix “2 mpg” — we argue that such titles function as compressed archives of identity performance. Using media theory (Turkle, McLuhan), music studies (Goodman, Reynolds), and digital ethnography, we propose that low-bitrate video files (“mpg”) embody the aesthetic of digital imperfection as a marker of authenticity for youth subcultures. The alias “Decibelle” further suggests a feminized, noise-oriented resistance to polished pop personas.