He hla hi Mizo kristian hla hmasa ber, Kristian hlabua hla hmasa ber chu a ni. Sap Upa leh Pu Buanga te. A thluk: Sacred Songs and Solos no. 376 (Come, Ye Sinner). A chhuahna: Hlabu-a hla hmasa ber (1899 vel a mi).
The first stanza of “Thisen Luang A Awm E” translates roughly to:
Sap hla leh (translated hymns) chauh hi a tawk ta lo va, a hnuah Mizo ngei ten hla an phuah ve ta a. Mizo Kristian hla phuah thiam hmasa leh ropui ber zinga mi chu a ni a. Ani hla phuah hmasak ber chu "Ka ropuina tur leh ka himna hmun" tih a ni a, he hla hi Patea nupui, Pi Kaphnuni pawhin a hla ṭha tih ber a ni hial a ni. mizo kristian hla hmasa ber
Heng hla hlui hmasa zualte leh an hla thu kimchang zawk hi Kristian Hlabu hrang hrangah hian chhiar theih a ni. Mizo Studies
The significance of Mizo Kristian Hla Hmasa Ber cannot be overstated. It served as a tool for literacy; learning the hymns meant learning to read the Roman script introduced by the missionaries. Spiritually, these songs carried the community through the Great Revivals. They became the soundtrack to the Mizo conversion experience. He hla hi Mizo kristian hla hmasa ber,
Hetiang hian Mizo kristian hla hmasa berte chanchin leh hla hlui hmasa ber zinga chhiar theih te tlangpui kan han tarlang e: 1. Mizo Kristian Hla Hmasa Ber: "Isu Vanah a Om a"
Heng zawng zawngte hi “Kan Pathian chu ropuiziawma a ni” tih a bul an tan a ni. 376 (Come, Ye Sinner)
Mizo Kristian hla hmasa berte hi missionary-te khan an phuah a, Mizo tawnga a lehlin hian Mizote rilru a khawih hle. Hla phuah hmasa berte chu Mizo tawnga lehlin ni mah se, Mizo tawng mawi leh chi hriat thiam tak tak a ni lova. An hla phuah dân hi Sap hla tih dân zâwm a ni ber a, Mizo tawng leh Mizo poetics hi an ngaihpawimawh lutuk lo. Chûng hlate hi kum 1897-a handwriting-in a siam a, chu mi chu Mizo Kristian hla hmasa ber bu a ni.
: Thanga bakah hian Mizo hla phuahtu hmasa leh pawimawh tak tak an awm a, chung zingah chuan
