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To print (PDF)

COUNTING STARS Exercises

By ONE REPUBLIC

Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
But baby, I've been, I've been praying hard,
Said, no more counting dollars
We'll be counting stars, yeah we'll be counting stars

I see this life like a swinging vine
Swing my heart across the line
And my face is flashing signs
Seek it out and you shall find
Old, but I'm not that old
Young, but I'm not that bold
I don't think the world is sold
I'm just doing what we're told
I feel something so right
Doing the wrong thing
I feel something so wrong
Doing the right thing
I couldn't lie, coudn't lie, couldn't lie
Everything that kills me makes me feel alive

Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
But baby, I've been, I've been praying hard,
Said, no more counting dollars
We'll be counting stars
(x2)


I feel the love and I feel it burn
Down this river, every turn
Hope is a four-letter word
Make that money, watch it burn
Old, but I'm not that old
Young, but I'm not that bold
I don't think the world is sold
I'm just doing what we're told
I feel something so wrong
Doing the right thing
I couldn't lie, coudn't lie, couldn't lie
Everything that downs me makes me wanna fly

Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
But baby, I've been, I've been praying hard,
Said, no more counting dollars
We'll be, we'll be counting stars

(x2)

Take that money
Watch it burn
Sink in the river
The lessons are learned

(repeat)

Everything that kills me makes feel alive

Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
But baby, I've been, I've been praying hard,
Said, no more counting dollars
We'll be counting stars
(x2)

Take that money
Watch it burn
Sink in the river
The lessons are learned

(repeat)

Exercises

To print (PDF) and (doc) By Isabel Pérez

1. – Fill the blanks with the words from the box.

alive, dollars, face, feel, find, hard, kills, lately, life,line, make, right, river, signs, sleep, sold, stars, take, vine, word, wrong, young,


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In the 2010s, a distinct shift occurred with the "New Wave" or "New Gen" cinema. Actors like Fahadh Faasil, Dulquer Salmaan, Nivin Pauly, and Tovino Thomas moved away from larger-than-life heroism. Stardom in Kerala became secondary to the script. Fahadh Faasil, in particular, became the poster child for this shift, frequently playing morally ambiguous, eccentric, or physically vulnerable characters ( Thondimuthalum Driksakshiyum , Joji ). The "New Wave" and Global Recognition

Lijo Jose Pellissery’s Angamaly Diaries (2017) and Jallikattu (2019) introduced chaotic, visceral visual styles exploring primal human nature, earning international film festival accolades. Jeethu Joseph’s Drishyam (2013) became a blueprint for Indian thriller cinema, officially remade in multiple languages, including Chinese.

Actors Mammootty and Mohanlal emerged during this era, defining Malayali masculinity and cultural identity. Their ability to switch effortlessly from intense parallel cinema to mainstream blockbusters set a high standard for performance-driven storytelling. Globalized Malayali Identity and the Gulf Boom In the 2010s, a distinct shift occurred with

Malayalam cinema proves a powerful truth: A culture that knows how to laugh at itself ( Kunjiramayanam ), cry for its losers ( Thoovanathumbikal ), and get angry at its injustices ( Ayyappanum Koshiyum ) is a culture that will never go extinct. For the uninitiated viewer, stepping into a Malayalam film is not just watching a movie; it is an anthropological immersion into one of the world’s most fascinating societies.

This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. Fahadh Faasil, in particular, became the poster child

Malayalam cinema, often called , is the film industry based in the South Indian state of Kerala. It is widely celebrated for its grounded realism , sophisticated storytelling, and deep integration with the state’s rich literary and artistic heritage. Cultural Foundations

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The evolution of Malayalam cinema is inseparable from Kerala’s history of social reform and high literacy. In the mid-20th century, the industry was heavily influenced by the and the socialist movement. This era birthed "socials"—films that tackled caste discrimination, feudalism, and poverty. Masterpieces like Chemmeen (1965) broke national barriers by blending tragic romance with the local myths of the fishing community, proving that deeply regional stories could have universal appeal. The Golden Age and the Middle Stream

Would you like a list of essential Malayalam films that best capture each of these cultural elements?

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