Skip to main content

Select language

Neo Soul Chord Progressions Piano Pdf !!install!! Jun 2026

The "main pivot chord". It creates the tension needed to resolve into minor chords, a hallmark of the genre. Minor 11th (m11): An open, moody alternative to the that feels like it's "floating". 2. Common Neo Soul Chord Progressions

Root - Minor 3rd - Perfect 5th - Minor 7th - Major 9th - Perfect 11th Example (Cmin11): C - Eb - G - Bb - D - F 2. Essential Voicing Techniques

Root - Major 3rd - Perfect 5th - Minor 7th - Major 9th

Borrowing from traditional gospel, switching from a major four chord to a minor four chord creates an instant nostalgic, bittersweet mood. (I) →right arrow Fmaj9 (IV) →right arrow Fm9 (iv) →right arrow Cmaj9 (I) neo soul chord progressions piano pdf

Add a lush, dreamy quality. (e.g., : C - E - G - B - D)

This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.

: Borrowed from gospel, sliding into a chord tone (like the 3rd or 7th) from a half-step below adds expression. The "main pivot chord"

Progression 1: The Classic ii - V - I - VI (Minor Turnaround) This is the most common loop in R&B and neo soul. ii9 – V7(b9) – Imaj9 – VI7(#9) Example in C Major: Dm9 – G7(b9) – Cmaj9 – A7(#9) Vibe: Smooth, cyclical, and infinitely loopable. Progression 2: The Gospel-Inflected IV - iii - ii - I

Example: Stack E - A - D - G. This cluster sounds incredibly smooth over a C Major or an A Minor bass line. Grace Notes and "Slurs"

One of the most emotive devices in Neo-Soul is the borrowing of chords from the parallel minor scale (Modal Interchange). (I) →right arrow Fmaj9 (IV) →right arrow Fm9

That is why we have created the containing:

This is the most common sequence in modern R&B and neo soul. It creates a continuous cycle that never feels like it fully stops. (ii) →right arrow G7alt (V) →right arrow Cmaj9 (I) →right arrow Fmaj7 (IV)